Cinematic PowerGrade — The Modular System
- Regular price
- €64,95 EUR
- Sale price
- €64,95 EUR
- Regular price
-
Tax included.
About the Cinematic Collection
The Cinematic Collection isn’t about endless random looks. It’s about one cinematic identity, built as a modular system of 30 variations that hold up in every situation.
All looks are based on the same DNA: rich colors, cyan blues, deep greens, and natural skin tones. Subtle shifts in contrast, color balance, and intensity allow you to adapt the look to different scenes and lighting conditions, indoors or outdoors, while keeping a consistent cinematic style.
The Cinematic Collection is available in two formats: LUTs for universal video workflows, and a PowerGrade built specifically for DaVinci Resolve.
About the pack
The Cinematic PowerGrade brings the Cinematic look into DaVinci Resolve as a fully structured, node-based grading system. Instead of baking the look into a LUT, each of the 30 variations lives inside an organized node tree, giving you full control over contrast, color balance, and intensity.
This is the same Cinematic look as the LUT Collection, but designed for creators who want deeper control, flexibility, and precision inside Resolve. You can fine-tune the look per shot, adapt it to different cameras and lighting conditions, and still stay within the same cinematic identity.
What's included
- Cinematic PowerGrade for Davinci Resolve
- 30 modular look variations built on the same cinematic DNA
- Organized node tree for easy adjustments
- Quickstart PDF Guide
Works with
- DaVinci Resolve (Studio & Free)
Works with all cameras
The PowerGrade is designed to work with footage from any camera — Panasonic, Sony, Canon, Nikon, Fuji, Blackmagic, or even your phone.
30 looks included
The modular system
The Cinematic Collection is not 30 random looks. It is a modular system built by combining contrast, intensity, and tone. Two types of contrast, three levels of intensity, and four split tones create 24 complete looks. To make the system complete, six base versions without split tones were added, bringing the total to 30 unique looks. Each look is different, yet all share the same cinematic DNA. This gives you the freedom to adapt to any scene while keeping your projects consistent.
Not for everyone, perfect for you
This collection is not about shortcuts or gimmicks. It is not about flashy filters that look good on one clip and fall apart on the next. It is for creators who care about consistency, reliability, and cinematic quality. If that is you, the Cinematic Collection is exactly what you have been looking for.
Natural skintones every time
Skintones stay true across every complexion, rich and cinematic without ever looking unnatural.
Clean blacks and whites
Deep shadows and crisp highlights that hold detail without crushing or clipping.
Reliability you can trust
Tested on thousands of clips across cameras and lighting conditions. Always consistent.
Frequently Asked Questions
LUT stands for Look-Up Table. It’s a file that helps you apply a consistent color grade to your footage. Think of it like a filter, but much more precise. These LUTs are the exact ones I use to create the cinematic, moody look in my own content.
PowerGrades are advanced color grading files for DaVinci Resolve. Unlike LUTs, they don’t just apply a single look—they include the entire node structure I use, giving you full control to adjust and learn from every step of the grade.
Yes. These are Universal LUTs, designed to work with footage from any camera—Panasonic, Sony, Canon, Nikon, Fuji, Blackmagic, or even your phone. Each LUT comes in
Each LUT comes in two variants:
Expects Rec709
The first is the Rec.709 version, which expects Rec.709 footage. If you shoot in LOG, you’ll need to convert it to Rec.709 first—either through your editing software’s color management or by using the free technical conversion LUT provided by your camera manufacturer. Once your footage is in Rec.709, you can apply the creative LUT from the Signature Collection.
Expects DWG
The second variant is the DWG/Intermediate version, built for DaVinci Resolve users. Here, you simply convert your LOG footage into DaVinci Wide Gamut/Intermediate and then apply the LUT for the most consistent results across cameras.
Yes, they work in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut (desktop), Vegas Pro, and if you’re using different software, as long as it supports standard .cube LUTs, you’re good to go.
And if you’re new to all of this — no worries. I walk you through the full setup in both the 3-hour color grading course and quickstart guides.
Right after purchase, you’ll get an email with access to your personal dashboard. From there, you can download the LUTs, project files, and start the course. Your access never expires. You can come back and download everything as often as you need.
Feel free to reach out anytime. You can email me at hello@amarmuric.com, send a message through the website chat, or DM me on Instagram at @by.amarmuric.
Because these are digital downloads, all sales are final. However, if you have any technical issues, our support team will work with you to resolve them quickly.