DaVinci Resolve
iPad & Desktop
CapCut
Desktop
VN Editor
Mobile & Desktop
Adobe Premiere
Final Cut Pro
Models
iPhone (all models)
Supported footage
Standard camera video (default camera app)
HDR video
Log video (Apple Log)
How it works
Most smartphone footage is already Rec.709, which means:
You can apply the LUT directly
No extra setup needed
If you recorded in Log:
Convert Log → Rec.709 first
Then apply the LUT
Both workflows are fully supported.
What is Rec.709?
Rec.709 is the standard video look used everywhere. Phones, TVs, YouTube, Instagram and most apps expect Rec.709 by default.
If your video:
Looks normal
Isn’t flat or grey
Comes straight from your phone’s camera app
Then it’s already Rec.709.
a1, a9, a7 series, a6xxx series, FX series (FX3, FX6, FX9, FX30), RX series, Venice
Recording formats
X-OCN (RAW), ProRes RAW, ProRes, XAVC
Color profiles
S-Log2, S-Log3, S-Cinetone, Cine1–4, Rec.709, HLG (HLG1–3)
EOS R series, Cinema EOS (C70, C200, C300, C400, C500, C700)
Canon RAW, ProRes RAW, ProRes, XF-AVC, H.264, H.265
C-Log, C-Log2, C-Log3, Wide DR, Rec.709, Canon Cinema Gamut
S series (S1, S1H, S5, S5II, S5IIX), GH series (GH4, GH5, GH5S, GH6), G series, BGH1, BS1H
BRAW, ProRes, H.264, H.265
V-Log, Rec.709
X series (X-T, X-H, X-S, X-Pro, X-E), GFX series
ProRes RAW, ProRes, H.264, H.265
F-Log, F-Log2, Rec.709
Z series (Z6, Z7, Z8, Z9, Zf, Z30, Z50)
N-Log, Rec.709
Pocket Cinema Camera 4K / 6K / 6K Pro / 6K G2, URSA Mini, URSA Broadcast, Studio cameras
BRAW (Blackmagic RAW), ProRes, H.264, H.265
Blackmagic Film Gen 4, Blackmagic Film Gen 5, Video, Extended Video, Rec.709
DSMC2 series, KOMODO, V-RAPTOR
REDCODE RAW (R3D), ProRes
RED LogFilm, Log3G10, Log3G12, REDWideGamutRGB, Rec.709
Mavic series, Air series, Mini series, Inspire series, FPV, Ronin cameras
ProRes RAW (supported models), ProRes, H.264, H.265
D-Log, D-Log M, D-Cinelike, Rec.709
Alexa Classic, Alexa Mini, Mini LF, Alexa LF, Alexa 35, Amira
ARRIRAW, ProRes
LogC, LogC3, LogC4, ARRI Wide Gamut, Rec.709
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Any camera - RAW, Log, Rec.709
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Sony, RED, Canon, Nikon, Panasonic, Fuji, Blackmagic, or even your phone.
Works with almost all software
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30 LUTs
Guide - Setup and usage
Real Footage. Real Workflow. Real Results.
RAW, Log and Rec.709
Beginner tip: RAW and Log footage looks flat or grey and Rec.709 looks 'normal'.
Watch the full workflow in action: convert Log to Rec.709, make quick exposure and white balance adjustments, apply the LUT, and you’re done. The exact same steps work in any editing software that supports LUTs.
All cameras - RAW, Log and Rec.709
Our LUTs are designed to work with any camera and any recording format. Whether you shoot RAW, Log, or Rec.709, there’s a simple workflow that fits your setup. What matters is how your footage is prepared before applying the creative LUT.
— Workflow 01
In the final week, we make sure your work actually holds up. We’ll test your looks across different footage, fix edge cases, and refine the system so it’s reliable in real-world scenarios. From there, we’ll turn everything into reusable assets you can keep using.
Beginner tip: RAW and Log footage looks flat or grey.
1
Record in RAW or Log
2
Convert RAW / Log to Rec.709
3
Apply our Creative LUT
Complete instructions in the guide
— Workflow 02
Beginner tip: Your footage already looks 'normal' in Rec.709.
Record in Rec.709
Rinse and repeat
The Cinematic Collection started with a clear vision for the look. While developing the LUTs, I continuously tested and refined them on real footage across different cameras, lighting conditions, and scenes. After thousands of real-world tests, these LUTs are built to hold up in any situation.
Tested on thousands of real-world clips
Tested across major camera brands and color profiles
Tested in a wide range of lighting conditions
Built to hold up in any situation
DaVinci Resolve only
Based on the Cinematic Collection. Get full creative control with this professional node tree with built in looks.
Best value for money
Get unlimited access to all products from our store: LUTs, presets, courses, and much more.
€199,95 EUR
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