LUT stands for Look-Up Table. It’s a file that helps you apply a consistent color grade to your footage. Think of it like a filter, but much more precise. These LUTs are the exact ones I use to create the cinematic, moody look in my own content.

Yes, these LUTs work with footage from any camera brand — including Canon, Sony, Panasonic, Blackmagic, Fuji, Nikon, RED, Arri, DJI, GoPro and more. The specific model doesn't matter.

What does matter is how you prepare your footage. These LUTs are designed to be used after proper color management. Shooting in log gives the best results, but if that’s not an option, a neutral picture profile with balanced contrast and saturation will also work well. As long as your footage is properly prepared, the LUTs will perform as intended across any camera system.

Yes, they work in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut (desktop), Vegas Pro, and even the Blackmagic Camera app. And if you’re using different software, as long as it supports standard .cube LUTs, you’re good to go.

And if you’re new to all of this — no worries. I walk you through the full setup in the free 3-hour course that comes with the LUTs.

Most LUTs are made for Rec.709, which is a small color space with limited flexibility. I designed mine to be used after proper color management, in a wide color space like Davinci Wide Gamut or ACES. That gives you much more room to work with: colors stay clean, shadows and highlights are better preserved, and your final look holds up across different cameras.

If you're using DaVinci Resolve or Premiere Pro, I show you exactly how to set this up in the free course that comes with the LUTs.

Using other software?
The LUTs still work. Just make sure your footage looks neutral (not too flat or too contrasty) before applying them. If the look feels off, a quick manual correction usually does the trick.

No special settings are required. Log footage works best. It gives you the most flexibility when grading and helps get the full benefit of these LUTs. If your camera doesn’t support log, a neutral profile is the next best option — not too flat, not too contrasty. The key is to avoid baked-in looks, so you have room to work with in post.

The course is around 3 hours long and packed with value. You’ll get access to 10 real clips to grade, behind-the-scenes insights, step-by-step grading demos, and a PDF guide that breaks down every LUT in the collection.

Yes. This course is made with beginners in mind. I explain every step clearly, from setup to final grade, and you get access to the exact same clips I use in the lessons so you can grade along with me.

The course includes full breakdowns for both DaVinci Resolve and Premiere Pro. I show you how to set up color management properly in both, how to apply the LUTs, and how to tweak them to fit your own footage.

Most people who buy LUTs struggle to apply them correctly or get the most out of them, especially if they’re just starting out. That’s why I included the course for free. It walks you through my full workflow, explains how color management works, and helps you get professional results, even if you're new to grading.

As soon as you complete your purchase, you’ll get instant access to your personal dashboard where you can start the course, download the LUTs, and get the project files.

Right after purchase, you’ll get an email with access to your personal dashboard. From there, you can download the LUTs, project files, and start the course. Your access never expires. You can come back and download everything as often as you need.

Feel free to reach out anytime. You can email me at hello@amarmuric.com, send a message through the website chat, or DM me on Instagram at @by.amarmuric.

Because this is a digital product, refunds aren’t possible. Once the LUTs are downloaded, there’s no way to return them. That said, I’m always here to help if you run into any issues or have questions, whether it’s technical or creative. Just reach out via email, chat, or Instagram and I’ll do my best to support you.