Used by 2000+ creators
These aren’t for everyone.
These LUTs are not about giving you endless random looks. They are about giving you one cinematic identity with 30 modular variations that hold up in every situation. A modular system of 30 LUTs built on the same DNA of rich colors, cyan blues, deep greens, and natural skintones. Designed to hold up in any lighting condition, indoors or outdoors.
Cinematic looks that work everywhere
The Signature Collection has been tested on thousands of clips across different cameras and environments. From Sony to Canon, Panasonic to Fuji, Nikon to Blackmagic, the results are consistent. Every LUT was refined to make your footage look cinematic while staying natural, reliable, and easy to work with.
Works with
Compatible with
30 looks included
The modular system
The Signature Collection is not 30 random LUTs. It is a modular system built by combining contrast, intensity, and tone. Two types of contrast, three levels of intensity, and four split tones create 24 complete looks. To make the system complete, six base versions without split tones were added, bringing the total to 30 unique LUTs. Each look is different, yet all share the same cinematic DNA. This gives you the freedom to adapt to any scene while keeping your projects consistent.
Natural skintones every time
Where many LUTs fail, this collection succeeds. Skintones remain true to life across every complexion, from light to dark. They stay neutral, with just enough richness to feel cinematic. No strange color shifts, no plastic skin, only natural and flattering results across any face and any light.
The course I wish I had starting out
Color grading used to confuse the hell out of me. That’s why I created this 3-hour course for Davinci Resolve and Premiere Pro: to help you grade with confidence. We’ll cover setup for your camera, walk through each look, and grade 10 real clips together, step by step.
Not for everyone, perfect for you
This collection is not about shortcuts or gimmicks. It is not about flashy filters that look good on one clip and fall apart on the next. It is for creators who care about consistency, reliability, and cinematic quality. If that is you, the Signature LUT Collection is exactly what you have been looking for.
Natural skintones every time
Skintones stay true across every complexion, rich and cinematic without ever looking unnatural.
Clean blacks and whites
Deep shadows and crisp highlights that hold detail without crushing or clipping.
Reliability you can trust
Tested on thousands of clips across cameras and lighting conditions. Always consistent.
Two formats, same results
Delivered in both Rec709 and DaVinci Wide Gamut, ready for any workflow.
Used by 2000+ others
What other creators say
Frequently Asked Questions
LUT stands for Look-Up Table. It’s a file that helps you apply a consistent color grade to your footage. Think of it like a filter, but much more precise. These LUTs are the exact ones I use to create the cinematic, moody look in my own content.
PowerGrades are advanced color grading files for DaVinci Resolve. Unlike LUTs, they don’t just apply a single look—they include the entire node structure I use, giving you full control to adjust and learn from every step of the grade.
Presets are editing files for Lightroom that instantly apply a crafted color grade to your photos. They’re fully adjustable, giving you a professional starting point while still leaving room for your own creative touch.
Yes. These are Universal LUTs, designed to work with footage from any camera—Panasonic, Sony, Canon, Nikon, Fuji, Blackmagic, or even your phone. Each LUT comes in
Each LUT comes in two variants:
Expects Rec709
The first is the Rec.709 version, which expects Rec.709 footage. If you shoot in LOG, you’ll need to convert it to Rec.709 first—either through your editing software’s color management or by using the free technical conversion LUT provided by your camera manufacturer. Once your footage is in Rec.709, you can apply the creative LUT from the Signature Collection.
Expects DWG
The second variant is the DWG/Intermediate version, built for DaVinci Resolve users. Here, you simply convert your LOG footage into DaVinci Wide Gamut/Intermediate and then apply the LUT for the most consistent results across cameras.
Yes, they work in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut (desktop), Vegas Pro, and if you’re using different software, as long as it supports standard .cube LUTs, you’re good to go.
And if you’re new to all of this — no worries. I walk you through the full setup in both the 3-hour color grading course and quickstart guides.
Right after purchase, you’ll get an email with access to your personal dashboard. From there, you can download the LUTs, project files, and start the course. Your access never expires. You can come back and download everything as often as you need.
Feel free to reach out anytime. You can email me at hello@amarmuric.com, send a message through the website chat, or DM me on Instagram at @by.amarmuric.
We want you to feel confident in your purchase of the Signature Collection. Because these are digital downloads, refunds are only granted if the product is defective, corrupted, renders your footage unusable, or otherwise cannot be used as intended (for example, files not loading properly in your editing software).
If such an issue arises, we will provide support to help resolve it. If the issue cannot be fixed, you may request a refund within 30 days of purchase. Refunds are available only on first-time purchases of the product, and bundles can only be refunded in full (no partial refunds for individual items).
As a condition of receiving a refund, you agree to permanently delete all copies of the files from your devices, accounts, and backups.
We’re always happy to assist with setup and troubleshooting, and in most cases we can get you up and running within 24 hours.

